More on 930 Rosemary Lane Lake Forest, IL (Pirie Garden)

Yesterday I wrote about my visit to the beautiful gardens at 930 Rosemary, Lake Forest.  These gardens date back almost 100 years, when they were first designed by Rose Standish Nichols.  Today, they have been lovingly restored by the current owners of the property, and through their generosity and the Garden Conservancy Open Days program, opened to the public for a special viewing day.  

I was so taken with my visit that I spent some time researching these gardens (some of the details can be found in my entry from yesterday).  In the process, I came across a couple of archival photos of the garden known as "The White Garden."  It is fascinating to look at the evolution of this garden.

The first photo, below, is dated in the Smithsonian Institute archives as 1914.  While most written records seem to date Rose Standish Nichols work on this garden to 1920, it is not inconceivable that she accomplished some of that work earlier, as the house was built in 1904, and it does seem a little odd that the owners would wait some 16 years before landscaping their property.  In this photo, you can see the two reflecting pools, along with the Chinese statue at the far end of the garden.  Those elements remain exactly the same today, but the overall impact has changed dramatically.  Note the walls of evergreens.  If you look at the shadows, you see the suggestion that there is space to pass in between each of them, creating many "doors" to the garden.  The garden is a simple and elegant green.

The next image was also found in the Smithsonian archives, and is dated in the archives as 2003.  It reflects the renovation of this garden completed by Craig Bergmann (other documentation I've read dates this renovation to have occurred in 1997).  In this version, the pools have remained, but the statue has disappeared.  Pavers have been laid as an additional element between the two pools, and the overall look of the garden has become markedly more "ornamental" with the addition of flowering shrub and ornamental flowers.  Look how the trees have grown--those tall vertical trunks have become their own design element in the garden. The garden "walls" have filled in, in spite of the tall trees, and there are no longer multiple entries to the garden.  The overall effect is definitely more appealing to our modern design sensibilities.  

The final picture, below, is the garden as it appears today.  The statue is back, the pavers are gone, and the overall landscaping look has changed slightly once again, achieving a softer, fuller, more mature look while still remaining true to the original concept of the garden. This garden is truly hidden now, with solid green evergreen walls that give no hint of what lies behind them.  The landscaping at the foot of the statue has evolved to a rich and dramatically impactful design statement, as can be seen in the first photo at the head of this post.  This garden flows naturally, with smooth, curving lines that don't look contrived.  A true respite from the world.

I think it's wonderful that the original design has stood the test of time, and has been preserved for 100 years, while the world outside its walls have gone through some pretty dramatic changes.

I wonder, what is your favorite version of the garden?